Author: GPL

Bombshell

Much to my astonishment, I have become briefly (and marginally) famous for my role (miniscule) in a film about Hollywood beauty Hedy Lamarr. Not only was she the sexiest woman on screen in the 1940s and 50s, but she also was an inventor, and worked with my favorite composer, George

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Moon Gallery Artwork

Moon Gallery

Guy Livingston is one of a hundred artists selected to create art for the Moon Gallery, which will be launched into space and land on the moon in 2022. This project, sponsored by ESTEC (European Space Agency) offers the chance to reflect on the issues of colonization, space travel, memory,

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Antheil the Futurist

Liner Notes for Antheil the Futurist In 1920, a brash young composer from New Jersey named George Antheil decided to be the “most ultra” of the avant-garde, quarreled with his teachers, and transformed himself into a concert pianist. His cousin Robert Antheil remembered many years later: “At that time George

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Antheil 2nd Piano Concerto

A concert pianist and vanguard composer, George Antheil (1900-1959) became known as the “Bad Boy of Music.” The ultimate American in Paris, Antheil was an avant-garde provocateur of the first order who made his name composing iconoclastic compositions: the loudest and brashest classical music of his time. But this album

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The Lost Sonatas of George Antheil

Sotto Voce with Fist: The Story of Antheil’s “Lost” Sonatas Just as John Cage was probably the most notorious American composer of the post-war twentieth century, George Antheil was the most notorious of the pre-war era. Antheil’s succés de scandale was astonishing, making him the rival of Stravinsky and Satie.

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Winter Music

Recorded under the supervision of John Cage in 1991, and directed by Stephen Drury, with the Caluthumpian Consort, recorded for Mode Records at Jordan Hall (New England Conservatory), Boston. Pianists include Alanna Battat, Guy Livingston (arrangement) and Joanna Kovitz…

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Don’t Panic: sixty seconds for piano

“Daring to be New” —Allan Kozinn, The New York Times “All about risk” —Sports Illustrated “Bravura emblematic of the richness than one minute can hold… A postmodern fantasy.. Superbly shows off Guy Livingston’s vocal and fingerwork virtuosity.” —Le Monde “The composers create radical and independent worlds, full of charm or

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