Merovingian Times January 2013
Union Reims July 2012
Echo November 2009
NRC November 2008
Trouw November 2008
Financial Daily November 2008
Viertakt Radio November 2008
Tempo March 2007
Fanfare February 2007
Joao Ribas Blog January 2007
Classics Today November 2004
Fanfare December 2006
Ion Arts Blog September 2004
New Music Box November 2006
Eindhoven Dagblad October 2006 (English+Dutch)
Crocks September 2006
International Record November 2006
All Music Guide September 2006
Sequenza 21 September 2006
Am. Symph Orch League September 2006
Schirmer News June 2006 Scan
New York Times October 2005
LA Times Feature Interview
UPI Feature 2005
Dagblad van het Noorden
Los Angeles Previews February 2002
Estrella Digital (español) 2003
LA Times Antheil Show 2002
American Record Guide, September 2001
Tampa Tribune, June 6th, 2001
Classics Today Online, September 2001
Time Out New York, July 20th 2001
Fono Forum (deutsch) June 2001
Stuttgart (deutsch) June 2001
il Manifesto (italiano), July 28th, 2001
Piano Magazine, May 2001: français english
Paris Free Voice, May 2001
Le Monde Review, April 7th, 2001: français english
Pizzicato Review, April 2001
New York Times Weekend Feature, January 21, 2000
New York Today Preview, January 19, 2000
New York Times Bernard Holland, February 6, 2000
Munich Awards, June 15, 1999
Munich Previews, June 2000: 1 2 3
Munich Reviews, June 2000: 1 2 3
Sports Illustrated, January 1998
New York Times Ketzel, Nov 24, 1997
Highlights: Top Quotes
New York Times Weekend Feature
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Fanfare: splendid sound
Journale Cluny-Macon: Brilliantissime
The Fresno Bee: Livingston is on a mission to bring Antheil's music into the standard repertoire for the piano, and this evening's performance made a magnificent contribution to that effort...wickedly entertaining...The Jazz Sonata came off with the energy of sparkling wine.
All Music Guide: The task of playing Antheil's piano music well is in itself quite a feat. It requires the stamina and agility of a boxer tempered with the sensitivity of a poet and a mathematician's sense of logic. Livingston is the champion on all counts, and this is the best compact disc of George Antheil's piano music ever.
Gramophone Magazine: He has spent some years preparing and presenting these little-known works, and it shows: his interpretations, like his pianism, deserve the highest praise
American Record Guide: These lively, witty, impressive works…represent the entire range of Antheil’s art, from bad-boy crazy stuff like Sonate Sauvage to the grim monumentality of late pieces like Sonata No. 5. Some, like the opening of Sonata No. 4 and the finale of No. 3, have a childlike impishness and exuberance similar to Prokofiev. Livingstons’s performances can only be called heroic : unflinchingly wacky, and over-the-top in the
avant-garde sonatas, sober and stark in the late ones. An outstanding release and an important one.
Münchner Merkur: "A microcosm of the very newest music: one is overwhelmed by the extensive differentiation of technique and form...Modern music is rarely so multi-dimensional, rich in changes and exciting."
Abendzeitung: "Here one finds only winning minutes. Livingston jumped from one musical idiom to the next with fantastic skill. "
Sports Illustrated: "The students watched spell-bound as Livingston rolled the balls back and forth over the keys and reached inside the piano to rake them across the strings. At last, after striking the piano's soundboard with a ball to create the final note, he tossed it high into the air and caught it. "It's a piece about risk," said Livingston. "You can't drop the ball."
Le Monde: "Don't Panic" applies above all to the pianist himself, required to display-notably during the interpretation of this collection in concert-an incredible versatility. ...superbly shows off Guy Livingston's vocal and fingerwork virtuosity. ...In fact, we listened to some pieces many times in a row, through pure pleasure, or in an attempt to pierce their mystery. "
Süddeutsche Zeitung: "It is hard to decide whether to marvel more over Livingston's breathtaking ability, his high musical intelligence, or his theatrical humor. "
American Record Guide: "Livingston's playing is assured and expert... Wergo's superb engineering captures Livingston's instrument with exemplary strength, clarity, and immediacy. Why can't everyone record the piano this well? "
Classics Today: "This is one of the freshest and most entertaining new music piano discs of 2001, and it deserves to sell millions... splendid engineering... affable and imaginative. " (10/10)
Diapason: "Antheil's perfect champion"
The New York Times: "A pianist with a flair for modernism"
Fono Forum: "Great independence and virtuosity"
Pizzicato Magazine: "The fact is that Livingston has done an outstanding job of arranging these miniatures, providing a cleverly navigated musical flow. Don't Panic! This CD is a piece of our world!"