Tag: Beethoven

extra media page for Guy’s Presentation (Linz)

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References Barthes, R. (2005). The Neutral: Lecture Course at the College de France (1977-1978) (R. Krauss & D. Hollier, Trans.). Columbia University Press. Beethoven Sonatas Pollini DG 4838250 [SG] Classical Music Reviews: March 2020—MusicWeb-International. (n.d.). Retrieved April 1, 2024, from http://www.musicweb-international.com/classrev/2020/Mar/Beethoven_Pollini_4838250.htm Beethoven Sonatas Richter BRILLIANT CLASSICS 94399 [RMo]: Classical Music Reviews—March 2013 MusicWeb-International. (n.d.). Retrieved April 1, 2024, from http://www.musicweb-international.com/classrev/2013/Mar13/Beethoven_Richter_94399.htm Brendel, A. (1976). Musical Thoughts & Afterthoughts. Robson Books. Fischer-Lichte, E. (2008). Reality and Fiction in Contemporary Theatre. Theatre Research International, 33(1), 84–96. Cambridge Core. https://doi.org/10.1017/S0307883307003410 Greenleaf, C. (2010, April

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Lecture on Markers for Performed Silence (in Beethoven)

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DFSMT 25th Anniversary Music Theory Conference: presentation entitled, “Embodied markers for silence” (Amsterdam Conservatory, March 2, 2024) These images illustrate embodiments of silence in Beethoven’s opus 111 piano sonata (first four bars): References Barthes, R. (2005). The Neutral: Lecture Course at the College de France (1977-1978) (R. Krauss & D. Hollier, Trans.). Columbia University Press. Brooks, W., Hornby, E., & Doctor, J. (2017). Silence, Music, Silent Music (N. Losseff, Ed.). Routledge. Cage, J. (1961). Silence: Lectures and Writings. Wesleyan University Press. Hodkinson, J. (2007). Presenting Absence: Constitutive Silences in Music

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